![]() Whenever anyone questions her motives – like at the beginning of the play, when she's afraid she's going to be arrested – she always pleads, "I'm a good girl!" Wherever her sense of right and wrong came from, it's clear she has one, and she doesn't want to end up like that vain Greek guy. Still, she's very protective of her own identity. Her father doesn't seem like the type to teach her those kind of life lessons, and we know she never got much help from her mom. ![]() She certainly doesn't want to end up like Narcissus but it's not clear where her fear comes from. Eliza's own fear of mirrors seems to spring from some fear of vanity. Eventually he realized his love could never be, and basically killed himself. When Narcissus saw his own reflection there he fell instantly in love…with himself. One day, a god decided to teach the boy a lesson, and led him to a pool of water. But Narcissus was vain, and preferred to keep to himself. So hot that every girl in town loved him. ![]() There's a whole back-story to the thing, but here's all you need to know: Narcissus was a really hot young man. (2.303-310) Given that Pygmalion is itself named after a character from Greek myth, it only seems right to bring up another mythological Greek figure: Narcissus. It didn't: not all of it and I don't care who hears me say it. I'm glad the bath-room met with your approval. Wish they saw what it is for the like of me! HIGGINS. I tell you, it's easy to clean up here Now I know why ladies is so clean. Eliza, it seems, has never looked at herself in a mirror, and she doesn't want to start making a habit of it: LIZA. It is involved in what seems to be a very minor incident. The looking-glass is only mentioned once, toward the very end of Act 2.
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